of the realities of using music as an integral part of a complex
show is that sometimes the true sound of the score is hard
to hear. Particularly when most of it is played behind dialog,
narration and sound effects. Music so rarely appears alone
in a dramatized audio that it's true depth can be missed.
Add to that the fact that we mix the elements which make up
the score knowing that it will be played in the background
most of the time. Because of this, some of the true impact
and dynamic range of the original composition may be de-emphasized.
the Son of a Wanted Man score we worked very hard to stay
true to the original intent of the music as composed and crafted
by Phil Shenale. While a true "Soundtrack Album"
would require us to go back into the original mixes, we thought
you might enjoy a chance to hear some of the music "unemcombered"
by dialog and sound effects.
BY AUDIO PLAYER
The score, music, compositions and all derivatives are the
property of Louis L'Amour Enterprises, Inc. and cannot be
copied, duplicated, re-recorded or broadcast without express
written permission. © Copyright 2004